Nov. 20th, 2012 10:45 pm
thekidfrombrooklyn: (closeup - closed eyes - unf)
Sometimes Steve stops and thinks about how strange it is to have someone in your life who quickly became so necessary, so vital.

Sometimes he just appreciates the fact that he has someone like that, that he is someone like that, and that this someone comes so willingly into his arms.

It's a strange feeling sometimes. It's a good feeling, always.


He closes the door to their room and leans back against it, watching Orpheus, a faint smile on his lips.


[ooc: Pre-emptive adult content warning.]
thekidfrombrooklyn: (not steve - hip bone)
After all the ups and downs and adrenaline rushes of the day, one hopes Steve can be forgiven for pushes Orpheus against the door as soon as its closed and kissing him senseless.

[ooc: Contains adult content, and lots of it.]
thekidfrombrooklyn: (bucky - look at me)
It's obvious, from the moment they step out of the cave, that the oppressive evil that had held the bar captive is gone. The night is clear, with only a few wisps of clouds to drift over the waning moon; there are nocturnal but benign creatures stirring in the woods; but more than that, it just feels different, lighter and sweeter in every sense. Magical. A good magic, white magic.

Steve keeps an arm around Bucky as they walk, though he suspects Bucky will be better soon. All he has to do is breathe.
thekidfrombrooklyn: (bucky - post-rescue)
Steve often gets Bucky to have a meal together, or work out in the gym, or even just to have a drink together and shoot the breeze. So he thinks nothing of it when he goes to wake Bucky this morning, thinks nothing will be out of the ordinary as he taps on the door in a playful rhythm. "Bucky! Wake up! Let's get some breakfast, I'm starving."

Usually it only takes Bucky a minute or two to yell back--something like, "Hold your horses, I'm not decent!"--or sometimes he yanks the door open and tackles Steve in the hall. Just to teach him a lesson, you understand.

This morning...nothing. Not even a grumpy, "Come back later!"

Steve taps on the door again, louder. "Bucky?" He waits a moment more. "Barnes, I will get the music man and make him play Reveille until you get out of bed, and nobody wants that."

Still nothing.

Suddenly it's not funny anymore. "Bucky," Steve says quietly and tries the knob.

Locked. Okay. Bucky's been having so much trouble sleeping lately, he must be deep under. Steve thinks, I could leave him be and get him for lunch, but he doesn't. Not yet. Just a quick peek, to check on him.

Bucky gave him a key, "for whatever you might need it for," so Steve unlocks the door, swallows hard and pushes it open, with one more, "Bucky?" though this time he doesn't expect an answer. Only hopes for one.

The room looks perfectly normal. Perfectly fine. Neatly made bed. Spotless desk. Armchair in the corner.

And Bucky's rifle hanging from the bed post.

Steve's breath catches in his chest. Bucky is a soldier during wartime, even at Milliways, and soldiers on active duty go nowhere without their weapon, not even to the mess hall.

If there's ever a sign that something is wrong, this is it.

For a moment, perhaps two, Steve can't do a thing. Bucky. Even with all the weirdness going on, Steve hand't thought it would really effect either of them, not as badly as some. After all, he's been fine since Orpheus has been here, and he thought maybe the haunting was easing up a little...

Clearly he was wrong.

Steve touches the rifle lightly with one finger, breathing deeply to calm the pounding in his ears. He whispers, to make himself feel better if nothing else, "I'm coming to get you, buddy."

He leaves, closing and locking the door behind him. While it's tempting to crawl back into bed and let Orpheus comfort him, he has to find Jack Green.

Despite his resolve to stay strong, he can't keep the bleakness out of his voice when he tells Jack, "That thing has Bucky. He's gone."
thekidfrombrooklyn: (smile - naughty)
Steve has Orpheus.

Steve has pie.

Steve doesn't know which one he wants to eat first.



... this is the dirtiest thing Steve has ever thought.
thekidfrombrooklyn: (blue shirt - planning)
Once they're back inside, Steve drops onto a stool at the bar and says, "Coffee, please. Irish it up."

A large cup appears on the bar top. Steve's hands are steady when he picks it up.

He's grateful for that.


He has a sip, then says quietly, "So what the hell was that?"
thekidfrombrooklyn: (t-shirt - waking up)
Nighttime, bedtime. The Commandos are settling in for the night--some reading, some talking, a bit of quiet laughter, as lights go out one by one--and Steve is drawing in bed, captured by the memory of trees in fog and snow. (It would look better on dark paper with a white pencil or even silverpoint, but he'll make do with what he has.) "Do any of you mind if I leave the light on a little longer?" he asks and smiles at the chorus of sleepy "No"s he gets in return.

He's tired, too, even so, and soon his eyelids are drooping and his pencil isn't obeying as readily as usual. Sleep, he decides, and closes his journal around his pencil before turning out the light. He keeps the journal on the cot with him, though, in case he wakes up with another idea. (It happens sometimes.)

Steve's dreams after missions are rarely pleasant, so he tries, tonight, to think about good things in the hope they'll give him good dreams. Eating hot dogs on the Fourth of July. Peggy's smile. Going to the pictures with Bucky and sitting in the balcony where they could watch the rest of the audience. Swimming with Orpheus in the lake at Milliways. Running in the woods...

... )
"Steve? Steve. Let me take the pencil, Steve."

Steve blinks a few times, realizing several things all at once--that he is breathing hard, almost like wheezing; that he has been drawing fast and hard enough to tear through the paper; and that the drawing is of the strange symbol, the circle with an X through it, along with trees and a man with too many arms and no face.

The Commandos are gathered around and Falsworth is kneeling in front of him, his hand wrapped around the pencil. "Steve," he says again, gently, and removes the pencil from Steve's fingers. "It was just a bad dream. Just a dream."

Steve presses his hands to his eyes. "I need to go for a walk," he tells them and walks out of the barracks, despite the winter weather and his bare feet, hoping the cold will finish waking him.
thekidfrombrooklyn: (captain - grim)
In the morning, Steve wakes feeling pretty good. He kisses Orpheus and puts on a tracksuit and sneakers, determined to go for a run, fog or no fog.

The mist hasn't let up but he forges ahead at a steady pace, the hood of his tracksuit up, hearing no sound but his own footsteps and breathing and the faint lapping of water against the lake shore.

And then there's a faint rustle in the trees. Movement that Steve sees out of the corner of his eye, but when he looks at it directly, it's just more trees and fog.

He slows, stops and lowers the hood. He's not breathing hard but his lungs suddenly feel tight and cold, as if he's been gasping for breath for hours.

"Who's there?" he whispers and then coughs past the restriction in his throat. He says more firmly, "Who's there?"

No one's there.
See you.
Right?

"Nobody here but us," Steve murmurs and resumes running, a little faster than before.
thekidfrombrooklyn: (bucky - mid-mission)
The good news is, there are no snow drifts here and the snow is thin on the ground enough that Captain America and the Howling Commandos barely leave footprints.

The bad news is, while it's still snowy, the air is warming as winter creeps to its end. Warm air and cold air colliding means mist; mist means low visibility; low visibility means extra caution and slowing their advancement to the next HYDRA factory.

Steve leads the way, every footstep careful, as he represses the urge to shiver. He's not going to lose his cool because of a little fog.

He hopes.
thekidfrombrooklyn: (leather jacket - squint)
Steve puts down his cup so he can hang his jacket, grab some towels and take off his damp clothes.

"Sorry about that, down by the lake," he says again. "I've spent enough time in the woods lately that they shouldn't seem strange to me."
thekidfrombrooklyn: (closeup - dirty face)
It's true that Steve wants a shower. He's grimy and sooty and fairly certain he smells like cordite.

It's also true that Steve would like to go swimming tonight, because while the days are still mild the nights are growing cooler, and it's a good bet bad weather isn't far away.

What happens between those...well.



[ooc: Pre-emptive adult content warning.]
thekidfrombrooklyn: (leather jacket - uncertain)
Picnic basket in hand, Steve goes looking for Orpheus. He's got a romantic evening planned--all he needs is one immortal musician.

He comes up behind Orpheus and slides his arm across Orpheus's chest, dropping a kiss on his ear. "Hey, music man."
thekidfrombrooklyn: (t-shirt - pinup pose)
Steve does not hustle Orpheus upstairs.

This is not to say he doesn't have plans. The way his hand lingers on the small of Orpheus's back is practically suggestive.



[ooc: Preemptive adult content warning.]
thekidfrombrooklyn: (t-shirt - waking up)
Steve has had a busy day--busier than he anticipated, in fact, and he'd rather go back to base fresh than worn out.

And he has the key Orpheus gave him.

So it's one supersoldier, one sleepy shower and a solid eight hours later, who's asleep in Orpheus's bed.



[ooc: Adult content warning.]
thekidfrombrooklyn: (cuddle - couch - tease)
The record label is putting Orpheus up for the night in a hotel near Central Park. No one looks twice when Orpheus is accompanied by the young man in a striped suit, not that questions would drive Steve from Orpheus's side anyway.

There's champagne and a fruit basket from the hotel, and once Steve has put the LP safely with his luggage, he snags an apple--the food at the party was good but tiny, and he's hungry again--and gets comfortable on the brocade couch as he has a bite and loosens his tie.

It's been something of an overwhelming night.


[ooc: Adult content within.]
thekidfrombrooklyn: (bucky - post-rescue)
Previously:

"Just tell me I'm not wearing tights."


Another condolence letter.

Sure, it's couched in official terms, one commanding officer reporting to another, but it's a condolence letter all the same.

Rogers's next of kin is listed as James Barnes, who, of course, is also missing, presumed killed in action. After that is his sponsor, Senator Brandt, so he's the one who will receive the letter and have to break the news that America's New Hope is gone.

Philips's voice is as steady as it ever is while he dictates the letter.

"Senator Brandt, I regret to report that Captain Steven G. Rogers went missing behind enemy lines on the third. Aerial reconnaissance has proven unfruitful. As a result, I must declare Captain Rogers killed in action. Period."

Agent Carter pauses in the entrance to the tent, bracing herself as Philips dictates the end of the letter. She brings in the latest report, her expression professional, her demeanor calm. "The last surveillance flight is back. No sign of activity."
thekidfrombrooklyn: (bucky - post-rescue)
Previously:

"I thought you were dead!"

"I thought you were smaller."


Getting four hundred men safely out of Austria and to Allied territory is not easy, but somehow it's happening. The worst of the wounded are on the tank (driven by Jones and Dugan, two men Steve intends to keep track of) and everyone is helping each other along, sharing water, telling each other of home. They're not only from all over the US but from Europe as well, Free French and English and more.

Steve moves through the group periodically, making sure no stragglers are left behind, but mostly he's at the front of the long, uneven line, leading the way south.

Best of all, he's got Bucky by his side.

He's going to bring Bucky home.




To be continued...
thekidfrombrooklyn: (cuddle - closeup)
In the past twelve hours, Steve has been dressed for exactly two of them. he and Orpheus have slept, lounged, talked, necked (and more, wink wink), ate and slept some more. He's listened to Orpheus hum and even sing a little, and he's watched Orpheus sleep and stroked his hair, and felt equally happy doing both.

This has been one of the ... best days of Steve's life.



[ooc: Preemptive adult content warning.]
thekidfrombrooklyn: (suit - beard - coy)
[Previously.]

Steve's hand hovers over the small of Orpheus's back as they go upstairs to his room. He's still not sure what happened earlier, when they tried dancing, but the more important thing is that Orpheus is hurting and it's within Steve's power to help. Maybe even make him feel better.

This, he thinks, is what you do when you care about someone. Two backs to carry the burdens.

"Do you need help undressing?" he asks when they're in Orpheus's room.
thekidfrombrooklyn: (Default)
London, 1943

Downtime is both precious and rare when you're in an elite military force. Steve spends it at Milliways when he can, and at the pub that's become their local when he wants to stay in London.

(Which he often does, despite the air raids and curfews. He's come to love this dark, sprawling city. It's not New York, but it'll do until it's time to go home.)

So Steve is having a drink and smiling at the singing. Another thing to like about the English--no matter what, they keep on singing.