Even in his anger, Orpheus is careful and targeted with his attacks. He can't, of course, keep his music completely contained, but he can play it focused on only certain individuals or, say, certain parts of the building.
The mistrust and division is still an underlying theme to his song, but he weaves another layer on top of that so the very structure of the building begins to distrust itself. A support beam falls on one of the groups attacking. An outer wall falls on another.
And once the space is open to the outdoors, Orpheus can truly work.
He drops the mistrust entirely, but while the HYDRA agents are still coming back to themselves, the landscape around them changes. Trees uproot themselves and fall into clusters of HYDRA or simply walk into the midst of the firefight to block bullets.
It will take some time to get there, but amidst the music and destruction, there is the sound of rushing water, growing ever closer.
no subject
The mistrust and division is still an underlying theme to his song, but he weaves another layer on top of that so the very structure of the building begins to distrust itself. A support beam falls on one of the groups attacking. An outer wall falls on another.
And once the space is open to the outdoors, Orpheus can truly work.
He drops the mistrust entirely, but while the HYDRA agents are still coming back to themselves, the landscape around them changes. Trees uproot themselves and fall into clusters of HYDRA or simply walk into the midst of the firefight to block bullets.
It will take some time to get there, but amidst the music and destruction, there is the sound of rushing water, growing ever closer.